The connection between Medieval manuscripts and comic book art in recent posts addresses one aspect of potential influence. However, transversely, the medium of comic book art has served as an inspiration for artists intrigued by the realms of fantasy, mythology, and folklore. For example, Irish artist Jim Fitzpatrick (most recognized for his work based on the myths and legends of his Irish heritage) attributes American comic book art as one of his earliest influences.

Beyond the realm of the book, today’s fantasy films also exhibit the influence of Celtic-style imagery. For example, the Lord of the Rings trilogy displays rich and intricate Celtic motifs in many of its settings.

The most prominent segment of the Lord of the Rings movies where this imagery is evident is the scenes taking place in the kingdom of Rohan.

In the film, the set’s design looks like an ancient Celtic village complete with thatch roof buildings and elaborate, gilded knotwork in the decorations of the King’s residence. The costumes of King Theoden and his niece Eowyn are also potentially Celtic, as are the designs of the armor of the warriors.

It is also interesting to note that the people of Rohan in the story are excellent horsemen who hail from a society that reveres the horse, which is similar to the ancient Celts. Although, these conventions could be referencing a Viking tradition as well. The continuous circle of transcultural exchange can be a slippery slope.